Ultra-violet light has been used a few times however Arthur Widmer created an Ultra-Violet Travelling Matte process in the '50s and it was used in the film 'The Old Man and the Sea' in 1958 to combine studio shot footage with marine location photography but, like the Sodium Vapour process, it lacked the flexibility and ease of production afforded by bluescreen and was rarely used. The problem with using infra-red is that the longer wavelength means that it focuses at a notoceably different distance than the visible spectrum on the film plane.
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